Pretty straightforward song. The F5 is played on the A string.
We hope you enjoyed this lesson. If you have any questions or comments you can contact us at patrice@paliatsky.com
Pretty straightforward song. The F5 is played on the A string.
We hope you enjoyed this lesson. If you have any questions or comments you can contact us at patrice@paliatsky.com
This song is played at 173bpm on the record, but they play it much faster live.
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This is a punk song with a surf rock feel. For the main riff, they slide into the quarter note and the eight note after the rest. Play the song all the way to the D.C. which will take you back to the intro. Then play the song all the way to the end with the repeats.
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This song is great for fingerpicking. It seems quite hard and intimidating when you first look at the sheet, but if you break it down into section, it is much easier. This song is build into 5 parts. The 2nd part is the hardest, because it changes chords often and quickly. The best trick is to work on the bass line first, because it goes up chromatically from fret 3 to 7 and goes back down the same way. There are three types of chords, major (finger on the A string and B string with one fret in between), minor (same thing but no fret in between) and diminished (finger on A string and high E string with the latter string being one fret lower). If you look below in part two the first chord is Major, the second one is diminished and the first one of the following measure is minor. So, what I suggest is that you learn those shapes of chords and look at the bass line while playing this part, so it feels less all over the place. One more thing, if you notice there is a G string open in between every chord, so learn to change chords first then add the extra notes in between.
The Beatles have rereleased this song several times, so the ending of the song changes slightly depending on the version.
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This song is pretty simple and it’s a great one to learn fingerpicking with. The pattern is written in the first measure and you just repeat it throughout. There is a break on the first measure of the last line, but only the first time through.
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This song is played with power chords on the guitar (G5, Eb5 and F5 on A string and Bb5 on E string), but I wrote the sheet with full chords, because the other instruments in the song play the minor and major thirds. In the live performances, they extend some parts of the song.
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This song is based on one fingerpicking riff that repeats throughout the song. The rhythm is challenging, but once you get it you just have to repeat it.
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Let it Be is a classic. It’s a great song for beginners to play the rhythm section and intermediate players to work on the solo. Below is the lead sheet and the second page is the guitar solo. The Beatles have rereleased this song several times with different solos, so look for the 2015 remastered version.
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This song is fairly simple and the strumming pattern repeats throughout the song. Below the lead sheet, there is the tablature for the two solos.
The first solo is played on the second time through the instrumental part and the second solo is the third time through the instrumental part.
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This song is pretty simple, you could play all power chords the whole song, because the minor and suspended come from the keyboards. The form of the song is the challenge, because it is not a typical verse-chorus song, every section changes a little bit almost every time you play it.
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This strumming pattern for this song is a bit challenging, but at least it’s the same the whole song. During the bridge, the guitar does a pentatonic riff in E.
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This song is simple, but watch out for the rhythm and the end of the chorus, because there are a lot of chords in a short period of time. Other than that, Ed adds some hammer-ons on the D and the A of the verse.
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This song does not have a lot of guitar, except for some popcorn style playing starting in the middle of the song. Below is the lead sheet for this song and there is also a version below that to play with a capo 6, so you use less barre chords.
The version below is the same song, but with a capo on fret 6 to make it easier if you are not comfortable with tons of barre chords like the version above.
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This song is fairly simple. The strumming pattern is all 8th notes, but accented on the up beat. In the intro, there is a hammer-on on the 5th string.
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This song is from a movie called That Thing you Do with Tom Hanks and Liv Tyler. It’s a great song and it is harder than it seems.
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This song is really fun to play and not too complicated. There are two main riffs, the intro and the bridge. The two riffs are repeated throughout the song and aren’t too difficult, but pay attention to the rhythm.
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This song is a cover from Dave Van Ronk called Green Green Rocky Road played by Oscar Isaac in the movie Inside Llewyn Davis. It’s a very good fingerpicking song using a thumb alternating bass line.
When practicing this song, you have to tackle the thumb part first. Your thumb should constantly be alternating between the low D string (we are in drop D tuning : D, A, D, G, B, E with a capo on fret 4) and the high D string. Once you are comfortable with that, try to add the melody one note at a time. It’s a song that you can loop easily, which means that you can practice one measure at a time repeatedly without stopping and it will still be pleasant to the ear.
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This is a great fingerpicking song. It uses an alternating bass line with your thumb. The form of the song is quite simple, play to the Da Capo, repeat the song up to the same point, then play it again but starting from the first repeat sign all the way to the end. It is played in drop d tuning (D,A,D,G,B,E) with a capo on fret 4. If you listen to the live recordings, Lyndsay Buckingham plays it differently with capo on fret 3. He simplified the picking.
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The time signature of Wheat Kings is 4/4
The key of Wheat Kings is G major
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The time signature of Heart of Gold is 4/4
The key of Heart of Gold is G major